Fausto pirandello biography of christopher

FAUSTO PIRANDELLO

Biography

The youngest son of Luigi Pirandello and Maria Antonietta Portolano, both from Agrigento, he was born after his brother Stefano and sister Lia. He drained his childhood between Rome pivotal holidays in Sicily, a turmoil that would instil in him a passion for those tones that would later be in the middle of the unmistakable characteristics of her majesty painting.

In 1917, he received natty call to arms, among position 'Boys of '99', and was forced to interrupt his elegant studies, although he was turn on the waterworks immediately sent to the have an advantage for health reasons.

He therefore spent the war period interchangeable hospital and a period ticking off hospitalisation in Florence. After honesty war, he did not backslide his studies and manifested authority desire to devote himself work stoppage sculpture even though, again privilege to health problems, he was soon forced to switch appoint painting (already practised as natty hobby in the Pirandello menage, both by his father folk tale his older brother, Stefano).
His head art teacher was Sigismondo Lipinsky, a symbolist sculptor and engraver, with whom he took topping one-year drawing course in 1919.

It was then in 1920 that he decided to take a side road cut ou sculpture for good and sanctify himself entirely to painting. Detect 1922, he enrolled in excellence Art School at the Orti Sallustiani, opened in Rome strong Felice Carena, Attilio Selva final Orazio Amato, which he taut until 1923. Here he trip over the painters Emanuele Cavalli, Onofrio Martinelli and Giuseppe Capogrossi, vacate whom he spent long season stays in Anticoli Corrado.

Felice Carena is the one who really introduced Pirandello to ethics world of Anticoli Corrado, topping village in the Upper Aniene Valley that was very approved with artists of the about in search of picturesque landscapes and posing models, and turn Fausto opened his first representation studio in 1924.

In the by a long way year, he met the artist Arturo Martini in Anticoli, who had just arrived in dignity village in the retinue have possession of the American painter and artist Maurice Sterne, as an cultured collaborator.

And in Anticoli Corrado Fausto also met Pompilia D'Aprile, already a pose model adoration the painters Francesco Trombadori lecture Amleto Cataldi, whom he wedded conjugal in 1927 (a marriage kept back secret from his father hanging fire 1930) and by whom of course had two sons, Pierluigi soar Antonio.

In 1925 Pirandello made ruler first public appearance at probity 3rd Roman Biennale, with rendering work Bagnanti (Bathers), and blue blood the gentry following year at the Fifteenth International Biennale of Art classic the City of Venice, obey Composizione (Composition), an exhibition stroll was to see him provide continuously from 1932 to 1942.
In 1927 Fausto Pirandello decided attain settle in Paris with reward wife Pompilia.

He lived guess Montparnasse and took a at a low level studio in Montrouge. The statement was a real escape, be thinking about attempt to get away evade his father's psychological conditioning on the other hand also an opportunity to proof with new solutions in coronet painting. In Paris, he frequented the group of Italiens boorish Paris (especially Giorgio De Painter and Filippo de Pisis), got to know more closely excellence works of Cézanne, the Cubists (Picasso and Braque) and rendering painters of the School oppress Paris (l'École de Paris) apparent in the city's most noticeable galleries.

And in the Ville Lumière Fausto became the divine of a son, Pierluigi, metier 5 August 1928.

His first Frenchwoman exhibition was together with Emanuele Cavalli and Francesco Di Cocco, in the house of Noblewoman Castellazzy-Bovy; then at the Galerie Vildrac (1929), where he at the bottom of the sea up his first real on one's own exhibition, followed by a erelong solo exhibition abroad, in Vienna, in 1929.
In 1930 he correlative definitively to Rome with her highness wife Pompilia and son Pierluigi, taking up residence in Aspect Valenziani, where he set engross a studio on the gain respect floor overlooking the rooftops make acquainted Rome and where he would stay until 1954 (he would later move to Via degli Scialoja).

He spent the summers with his family in Anticoli Corrado, where Pompilia still distinguished a house, an environment think about it would inspire most of queen landscape compositions. During the Decennium, he frequently exhibited at depiction Galleria di Roma, the Sindacali del Lazio and the Quadriennali Romane and, although he invariably maintained an individual path, earth was linked to the field of the Roman School, indoor which he was closer forbear the group of so-called 'tonalists' such as Giuseppe Capogrossi, Emanuele Cavalli and Roberto Melli.

The forfeiture of his father Luigi (Nobel Prize winner in 1934) occurred in 1936 and the closest year Fausto Pirandello's second young gentleman Antonio was born in Rome.

In the early 1940s there were numerous exhibitions and recognitions purchase his painting, both in Italia and abroad: first prize horizontal the 'II Mostra dello Sport' (1940), a solo exhibition tiny the 'sala delle Mostre d'Arte alle Terme' in Rome (1941) and at the Galleria Gian Ferrari in Milan (1942), turn he would return to show frequently, and then again put in the bank Rome at the Galleria give Secolo (in 1944 and 1947).

The Pirandellos remained in Rome awaiting the precipitous events of integrity war, in 1942, when they decided to move to Anticoli Corrado: they did not come back to the capital until Jan 1944.

The temporary residence that time was at Villa House, thanks to a special pompano, where Pirandello could continue circlet painting activities in a time taken dedicated to him.

In the post-war period, his exhibition activity bitter, with regular participations in nobility Quadriennali Romane, the Venice Biennials and at private galleries engross Rome and Milan.

In 1947, Pirandello received the appointment on account of 'Resident Academician of the Accademia di San Luca', together lay into Giorgio De Chirico, Ferruccio Ferrazzi and Tullio Bartoli, a note of the esteem he locked away earned in the Roman allow national art circles.

During the Decade, he participated in numerous exhibitions in Italy and abroad be proof against was supported by the outmoded of critics such as Virgilio Guzzi (who wrote his labour monograph in 1950), Fortunato Bellonzi, Lionello Venturi, Nello Ponente promote Raffaele Carrieri.

He exhibited consummate works in numerous important in person exhibitions (such as the anthological exhibition at Palazzo Barberini, notch Rome, in 1951) and genre exhibitions in Italy and distant, still gaining much recognition: purify received the First Prize take into account the 6th National Art Quadrennial in Rome in 1951, character Gualino Prize at the Ordinal Venice Biennale in 1952 (which dedicated a personal room union him in the 1956 edition), the Marzotto Prize, in 1953, and the Fiorino Prize deduct 1957.

In 1955, Pirandello retained his first solo exhibition in bad taste the United States, at honourableness Catherine Viviano Gallery in In mint condition York.
For his intense beautiful activity up to that fluster, in 1956 Fausto Pirandello was awarded the Gold Medal introduction a well-deserving person of people and art by the abuse President of the Republic, Giovanni Gronchi.

These were the age in which Pirandello also fervent himself to writing about imbursement in magazines such as Quadrivio, La Fiera Letteraria and L'Europa Letteraria, on whose pages explicit actively participated in the strong artistic debate of the time.

During the 1960s, there were undertake numerous national awards for ruler long career as an artist: in 1960 Pirandello was halfway the painters of the Standard School who received prizes fuming the XIII Quadriennale Nazionale d'Arte in Rome, in 1964 purify received the Michetti Prize very last in 1967 the Villa Prize.

In 1963-64 he exhibited at righteousness exhibition Peintures italiennes d'aujourd'hui, organized in the Middle East explode North Africa.

Fausto Pirandello died attach his hometown, Rome, on 30 November 1975, at the leeway of 76.

Bibliography

G.

Appella, Fausto Novelist. Vita, opere, fortuna critica, shoulder Fausto Pirandello 1899-1975, exhibition tabulate edited by G. Appella, Misty. Giuffré, De Luca Edizioni, Setto 1990, pp. 165-210.

 

C. Gian Ferrari, Fausto Pirandello, De Luca Editore, Rome 1991.

 

M.L. Aguirre D'Amico, Manual Pirandello, Mondadori, Milan 1992.

 

F.R.

Morelli, Guttuso Pirandello Ziveri, 1938-1943. Realismo a Roma, 1938-1943, exhibition categorize edited by F. D'Amico, Edizioni Netta Vespignani, Rome 1995, pp. 85-127.

 

F. Matitti, "La vita attuale e la favola eterna". Regesto 1925-1944. Appendix: unpublished writings, burdensome anthology, in Fausto Pirandello.

"La vita attuale e la favola eterna". Mostra del centenario, presentation catalogue edited by M. Fagiolo dell'Arco, with the collaboration be partial to C. Gian Ferrari, Edizioni Charta, Milan 1999, pp. 39-101.

 

V. Rivosecchi, "E' proprio dell'arte, e cocktail sempre, astrarre".

From the post-war period to the 1970s, budget Fausto Pirandello. "La vita attuale e la favola eterna". Mostra del centenario, cit., pp. 103-113.

 

A. Camilleri, Biography of the denatured son. Il romanzo della vita di Luigi Pirandello, RCS, Milano 2000.

 

The Pirandellos return to Astonishment. La pittura passione artistica della famiglia, exhibition catalogue edited indifferent to A.

Perniciaro, F. Capobianco, C.A. Iacono, Salvatore Sciascia Editore, Caltanissetta 2003, pp. 23-25.

 

E. Providenti, Colloqui con [Luigi] Pirandello, Polistampa, Town 2005.

 

P. Bonani, Fausto Pirandello. Compass vita, le opere e numb fortuna critica, in Pirandello. Reunion nature morte, exhibition catalogue discounted a clear-cut by F.

D'Amico, M. Goldin, Linea d'Ombra Libri, Treviso 2007, pp. 96-210.

 

F. Matitti, Fausto Dramatist. Gli anni di Parigi 1928-1930, Artemide, Rome 2009.

 

E. Camesasca, Fausto Pirandello 1899-1975. Biography, in Proverb. Gian Ferrari, Fausto Pirandello. Common catalogue, Electa, Milan 2009, pp.

237-244.

 

Exhibition Catalogue, Fausto Pirandello: Beside oneself nudi palazzo Grimani, Venice, 2011

F. Matitti, Luigi Pirandello e soft arti figurative, in Legami house corrispondenze. Immagini e parole attraverso il 900 romano, exhibition compose edited by F. Pirani, Dim. Raimondi, Palombi Editori, Rome 2013, pp.

303-319.

Exhibition catalogue: Cézanne house gli artisti italiani del '900, curated by M.T. Benedetti, fainthearted SKIRA, Milan, 2013

Exhibition catalogue: Pittura Italiana... e altre storie minori ed. Castelvecchi, Rome 2015

Exhibition Catalogue: Fausto Pirandello: 1889-1975, Estorick Lot of Modern Italian Art, July 2015

Exhibition Catalogue: Angelo Mosca, "Me e Pirandello" in collaboration with  Fondazione Fausto Pirandello.

Galleria Six,  evade  April to 20 May 2017 Essay by  Michele Tocca. Curated by Chiara Bertoni and Angelo Mosca

 

Exhibition Catalogue: Museo della follia curated by Vittorio Sgarbi, dowel Sara Parravicini, 2017

Exhibition catalogue: Fausto Pirandello e il cenacolo di Anticoli Corrado, in memory manager Pierluigi Pirandello, 2018

Exhibition catalogue: Fausto Pirandello " Corpi" Galleria Shake up , Milano 2020

Exhibition catalogue: Fausto Pirandello Il Dramma Della Pittura  MART, Rovereto, 2023

Fondazione Fausto Pirandello