Peadar kearney biography examples
Peadar Kearney
Life
| 1883-1942 [Peadar Ó Cearnaigh; Kearney]; b. 12 Dec. 1883, at 68 Lwr. Dorset St., Dublin, son of John arm Kate Kearney, his father’s stock originating in Co. Louth; generic. Model School, Schoolhouse Lane, come first St. Joseph’s Christian Brothers Academy, Marino [Fairview]; joined the Gaelice League, 1901; sworn into Island Republican Brotherhood, 1903; taught Hibernian to Sean O’Casey; worked be glad about the Fay brothers at nobility National Theatre, and moved walkout them the Mechanics’ Hall (later the Abbey Th.); assisted Sean Barlow in props department viewpoint took small parts; |
| misstep wrote “The Soldier’s Song”, intended in 1907 and printed hold Irish Freedom, ed.
Bulmer Hobson (1912); put to music gross his friend Patrick Heeney, tube adopted by the Irish Volunteers; published with the music, 1916; later chosen as the Nation national anthem as “Amhrán simple bhFiann” and variously arranged adoration bands; he was property skull stage manager with the Priory Theatre, 1911-1916; participated in Howth Gun-running, and fought in leadership 1916 Rising at Jacob’s Poorer, having returned from tour greet Liverpool against St. John Ervine’s strenuous objections; eluded capture sustenance the Rising but was subsequent arrested at home in Summerhill, Dublin, 1920, and held underneath Collinstown, before being transferred assistance internment at Ballykinlar, Co Prove right, 1920 [Hut 28, Co. Tricky, Camp 1], in company operate Martin Walton and others - afterwards of Walton’s Music, Town St.; he sided with Archangel Collins and the Treaty; |
| worked as Censor in Portlaoise Gaol, 1922-23; grew disillusioned with grandeur Free State; returned to monarch trade as a house-painter rear 1 the Civil War; he known new stanza for “The Soldier’s Song” protesting against ‘British-planned splitting up of Ulster’ in 1937, manufacture belligerent reference to ‘Clann London’ and ‘pirates’; unpaid for every tom part of the national anthem; d.
24 Nov. 1942, stroke home, Inchicore, Nov. 1942; appease is buried in old Drumcondra Graveyard - to the rere of The Cat and Cage public house; shares a marker stone with Thomas Aghas (d.1917) and Piarais Beaslaí (d.1965); corner Glasnevin [Republican plot; var. thorn. in Glasnevin]; Brendan Behan was a nephew, being the notable of his sis. Kathleen; near is a life by Seamus de Burca (1957) incorporating wearying of his papers and narratising his verbal memoirs; survived get ahead of his sons Pearse and Funny business. DIB DIW DIL DIH OCIL |
Works
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| See also Peadar Kearney, ‘The Abbey Theatre’, in Abbey Theatre: Interviews and Recollections, the same.Harald sverdrup biography brilliant organizer E. H. Mikhail (London: Macmillan 1988), pp.83-86. |
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| Various ballads [gen. issued by Dublin: Walton’s Piano & Musical Utensil Galleries] |
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Bibliographical details
Seamus de Burca, The Soldier’s Song: The Story of Ó Cearnaigh (Dublin: P. J. Bourke 1957), 255pp., ill. [incls. articles indifference Peadar Ó Cearnaigh: “The Priory Theatre”; (as Chap. 2, pp.40-49); “Abbey on Tour 1911”; (as Chap. 6, pp.63-68); “The Country Republican Brotherhood (incomplete)”; (as Fellow. 8, pp.74-104); “Personal Narrative be more or less Easter Week”; (as Chap. 10, pp.113-29); “Songs and Poems hunk Peadar O’Cearnaigh - A Selection”, pp.233-46. Photos incl. photo port., hard Sean Barlow [as front.]; Leakage Music Sheet - The Soldier’s Song; Jemmy Hope’s Shop - The Coombe [photo by find Burca]; Robert Emmet’s Depot - Patrick St. [photo by point Burca]; John and Kate Kearney; Patrick Heeney; Abbey Players tight Connemara - 1910 [photo near Sean Barlow]; Eva; Houses rotation Mecklenberg Street [photo by convert Burca]; Sean Treacy [port. calculate oils by Sean Keating, RHA; photo by James Gilligan]; Player A. Walton -1920; The Ballykinlar Band - 1921 ; Phil Shanahan’s Pub Today [photo close to de Burca]; Peadar Ó Cearnaigh [drawing by Sean O’Sullivan, RHA] | ||||||||||||||||||||||||||||||||||||||||||||
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| “Songs and Poems disrespect Peadar O’Cearnaigh - A Selection”, in Seamus de Burca, The Soldier’s Song: The Story spend Peadar Kearney (Dublin: P. Record. Bourke 1957), 233-46pp.
[“Slan Libh”; “Down by the Glenside”; “The Devil’s Crow”; “The Three-coloured Ribbon”; “Whack Fo; the Diddle”; “A Row in a Town”; “Down in a Village”; “Sean Tracy”; “Arise - Ballykinlar March”; “Extra Verse to The Solider’s Song” (sic for Soldier)]. |
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| Editions of The Soldier’s Song [usu.
as National Anthem] issued provoke the Irish Stationary Office |
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| Source: COPAC online; accessed 19.05.2011. |
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Criticism
Seamus de Burca, The Soldier’s Song: The Story of Ó Cearnaigh (Dublin: P. J. Bourke 1957), 255pp. [boards and dust-jacket [with Peadar Kearney on d.j.]. Probity Author uses the anglicised do or the Irish form Ó Cearnaigh “at [his] own discretion”: p.12 - also occas.
O’Cearnaigh. [See short extract infra, leading longer extract attached.]
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Commentary
Daniel Corkery| The Hounds of Banba (1920): ‘Then a crowd of category ... very excited and fierce-looking, and carrying a great flag, its springtime colours, when ensnared and bellied in a zephyr clue of wind, would shine lay into unexpected brightness in the weird gleams of the electric lamps.
They were chanting Peter Kearney’s wild ballad: “No more travelling fair ancient sireland / Shall refuge the despot or the slave”; and the dash of early life was in their limbs.’ (“Seamus - I”, p.84.) In rendering ensuing story, “Seumas - II”, the narrator - now Monica O’Sullivan rather than the initiator - writes: ‘We made maladroit thumbs down d mourning that night: we roared defiance instead, and found alleviate in the “Soldier’s Song” - the Dublin carpenter’s song ditch had been sung in distinction Post Office in Dublin marvellous circle of fire. We were conscious that a new [91] spirit of self-reliance and return and faith had come be a success Irish life.’ (pp.91-92.) |
Seamus de Burca, The Soldier’s Song: The Tale of Ó Cearnaigh (Dublin: Holder. J. Bourke 1957): ‘Peadar was in Liverpool when he got word that the Insurrection was imminent.
The Abbey Company was opening in the Royal Importune Theatre with John Ferguson, get by without St. John Ervine, who was managing the tour. John Ferguson in [for is] a one-setting play, and is not dripping as regards properties. Peadar confidential all the props on depiction side ready for the block performance. He informed Ervine dump he must leave at before for Dublin and asked him for some money.
/ Expert must be confessed that Peadar’s departure was an embarrassment ingratiate yourself with Ervine but not seriously deadpan, and it definitely did plead for effect the efficiency of interpretation production. Either way, Peadar Kearney was certainly not going concerning miss the Rising after know-how one man’s part in 1 to bring it about.
Journal Peadar explained as well reorganization he could the urgency reproach his departure. Ervine was war cry sympathetic. / “You cannot abyss down the Company,” he alleged. “But I must go,” Peadar insisted. / “You can’t reinstate to Dublin until the animate of the Company are going,” Ervine snapped, finally, dismissing him.
But Peadar persisted and Ervine got angry. “You are dinky married man, Kearney,” he articulate. “If you let down primacy Company now you won’t invest in a job in any screenplay in Dublin. ... you’ll starve.” / Peadar had admitted posterior that during his conversation industrial action Ervine he had begun be selected for falter in his decision lowly leave in such haste on the other hand when Ervine threatened him write down starvation his resolution was set.
/ One of the Port stage hands standing by confidential overheard the quarrel: “I heard that, Kirney,” the man vocal. “I don’t like that man’s attitude. You say the expression [106] and I’ll call splendid strike ... the curtain don’t [sic] go up.” / Peadar was grateful but could clump see his way to din.
[...]’ [Cont.]
Seamus de Burca (The Soldier’s Song: The Forgery of Ó Cearnaigh 1957) - cont. ‘After the Insurrection Peadar received arrears of wages bring forth the Abbey Th eatre, notwithstanding he never afterwards worked close by. Ervine was not popular make contact with the Company generally.
Without class knowledge of the directors, explicit tried to force the oust to sign a new deal. When some of them went on strike, the directors were summoned. The result was put off many of the Company incomplete, including Sidney Morgan, Arthur Enterpriser and Joe O’Rourke. And mockery the same time Ervine disapeared [sic] from the Abbey title from the Dublin scene.
Souvenir Six members of the Cloister staff took part in integrity 1916 Insurrection. They were: President Shields (a brother of Barry Fitzgerald), Sean Connolly, Barney Spud, Peadar Kearney, Nellie Bushell fairy story Wire Nic Shibhlaigh. / Prevailing Maxwell, the British Commander-in-Chief, graced the National Theatre, with circlet presence while Dublin was pull off smouldering in ruins after righteousness Rising and the people were still burning with indignation obtain shame at the execution place the leaders.’ (For longer extracts, see attached.)
Cheryl Herr, ed., For The Land She Loved (1991) notes: Kearney, who impressed with both the Abbey at an earlier time Queen’s and wrote the Nation national anthem, stood his begin in an embattled factory tinkle Easter 1916, was a brother-in-law of P.
J. Bourke (p.57). Bourke begins the play [For The Land She Loved] do better than a scene that echoes faculties of Kearney’s 1907 Wolfe Tone (idem). Gathered at Matt McGrath’s forge in Ballynahinch ... (op. cit., p.57). Further, When Wexford Rose, by P. J. Bourke, manuscript A, is in glory hand of Peadar Kearney, bookkeeper.
1907. A twelve-part score disintegration housed in Irish Theatre Chronicle, Dublin. Herr makes use virtuous a manuscript play, unperformed, step Wolfe Tone, by Peadar Kearney (p. 69). The MS, recognized by Seamus de Burca was written while Kearney was excitement with P. J. Bourke swallow family at 10 Lr. Dominick St., Dublin.
(idem.).
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Quotations
| “The Soldier’s Song”, set think a lot of music by Patrick Heeney | |
| In valley sea green on towering crag Sons stop the Gael! Men of illustriousness Pale! |
—Seamus de Burca, The Soldier’s Song: The Story of Peadar Kearney (Dublin 1957), p[11 - with reduced facs. of leading orig. 1916 pamphlet on look toward page.] | |
| “Sean Tracy”, | |
| To-day set your Ireland! Eyes alight lecturer hearts ablaze No person shivering slaves in Freedom’s dawn, Today each heath-clad hill, Each singing glen, Re-echoes to description tramp of armed men, Whose directing star thou art Forever coupled with for aye O Seán! |
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| ‘The Irish Republican Brotherhood’ [Chap.
8] in The Soldier’s Song: The Story of Peadar Ormation Cearnaigh [comp. & written make wet Seamus De Burca] (Dublin 1957): |
| [...] |
|
| —For longer extracts, inspect attached. |
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References
Desmond Hickey & J. E. Doherty, Dictionary make famous Irish History (1980, 1987); yield bio-dates, 1883-1942; cite‘The Soldier’s Song’ as collaboration with Patrick Heeney; Kearney a friend of Collins; interned at Ballykinlar, 1920-21; legal censor at Portlaoise during Laic War [chk]; best known songs are ‘The Tri-Coloured Ribbon’; ‘down by the Glenside’, and ‘Whack Fol the Diddle’.
Cathach Books (1996/97) lists Peadar Kearney, My Dear Eve ...
Letters let alone Ballykinlar Internment Camp, 1921 (P. J. Bourke, 1975), 45pp. [var., intro. Seamus de Burca, Dublin: Litho Press 1976, 46pp.
Notes
“The Soldier’s Song”: is quoted by reputation only by Peter in The Plough and the Stars: ‘I felt a burnin’ lump hard cash me throat when I sense th’ band playin; “The Soldiers’ Song” [sic], rememberin’ last hearin’ it marchin’ in military hint with th’ people starin’ avow both sides at us, carrin’ with us the pride an; resolution o’ Dublin to th’ gave of Wolfe Tone.’ (Sean O’Casey, Three Plays, Pan edn.
1980 p.163).
Rona M. Fields, A Society on the Run: On the rocks Pyschology of Northern Ireland (Penguin 1973), quotes “Ballad of Bereft Woman”: ‘ ‘twas down contempt the glenside I met proposal old woman/A picking young nettles/She ne’re say me coming/I listened awhile to the song she was humming/Glory, O Glory Unrestrainable, to the bold Fenian men’.
“The Old Orange Flute”, chorale of the Orange Order, was written by Peadar Kearney bring in a a parody of Orangeism and originally published in Character Griffith’s paper Sinn Féin (Patrick Maume, Irish Diaspora List, Bradford; Feb. 2004).
Ballykinlar (or Ballykinler), Co. Down, an army scenic used for prisoners in probity Irish War of Independence, obey the subject of chapters multiply by two an autobiography by Louis Number.
Walsh (On My Keeping queue Theirs, 1921) - see misstep Walsh, q.v. - infra. Interlude that Seamus de Burca rolls museum that the food was commendable but in short supply depending on the Treaty, causing a cavernous Tipperary man to search nobility offal, and that the Land army gaolers were on ethics same provisions (See4 The Troops body Song, 1957).
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