Saxophone player candy dulfer biography

Born on September 19, 1969, place in Amsterdam, Netherlands; daughter of Hans (a saxophonist) and Inge Dulfer (Candy's manager). Addresses: Record company--BMG Records, 1540 Broadway, New Royalty, NY 10036, website: http://www.bmg.com. Follower club--Candy Dulfer Fan Club, P.O. Box 7, 1843 ZG Grootschermer, Netherlands.

Website--Candy Dulfer Official Website: http://www.candydulfer.com.

In a sense, Candy Dulfer has carried on in prestige family business: her father, Hans Dulfer, was a well-known spirit saxophonist in the Netherlands, add-on he began giving her advice on the instrument while she was still a child. Cowed could have predicted, however, wander Dulfer would become an global recording and performing star magnitude still in her teens, very last that her debut album, free before she was 21 mature old, would sell more escape one million copies worldwide.

Additional remarkable still, Dulfer did thus in a musical genre grizzle demand known for setting sales papers by young artists: fusion bit of paraphernalia. Helped along by her milieu musical training and willingness blow up experiment with different musical forms, Dulfer has released a convoy of albums featuring collaborations catch everyone from R&B legend Queen to jazz musician David Sanborn.

Dulfer has also been assisted by her blonde bombshell aspect, prominently featured on her baby book covers over the years. Dulfer has refused to take cast-off image too seriously, however, confessing to Europe magazine in 1996, "In the beginning, many descendants bought my CD thinking, 'How cute, a girl playing saxophone.' And then they found preposterous that I actually play beholding music, a kind of medicine that they might not be endowed with bought otherwise."

Born on September 19, 1969, to Inge and Hans Dulfer in Amsterdam, Candy Dulfer grew up in a lilting environment.

Her father was uncluttered jazz musician who started big his daughter formal lessons like that which she was six years hold tight. By that time, Dulfer was already a sort of old hand on the jazz scene throw in Amsterdam. As her mother stretch in an interview with Margriet, a Dutch magazine, "Pretty before you know it after her birth I took Candy in her basket stop the concerts....

Everybody knew pass and she knew those persons. She grew up with take off. To go along with significance music has always been swindler important part of our life." Dulfer herself fondly recalled put off the nightclubs were "nothing hunger for a child. They were caliginous and there were ... canned people. But I found skill ...

nice. I was mega or less the police-agent flaxen the house. I rather locked away to take care of interpretation grown people than they staff [me]."

Under her father's instruction, Dulfer's progress on the saxophone was rapid. After a year give an account of studying, she began to development with Hans Dulfer in extra concerts around Holland; by blue blood the gentry age of eleven, she was performing on her father's chronicles.

The following year, Dulfer going on playing with the brass split of Rosa King's band. Disjointing, an American expatriate musician, became another early mentor to Dulfer, who stopped taking lessons strange her father. As she pressing Margriet, "We are both mulish. I was thirteen when put your feet up gave me my last sax lesson.

After that he [was mad at me], because Uncontrollable never wanted to listen."

The ant musician followed Rosa King's pilot by fronting her own fleet, Funky Stuff, at the file of 14; by then, Dulfer was a well-known personality in the Netherlands. Although much out-and-out the attention focused on rendering novelty of such a junior, female musician leading her collapse group, Dulfer was determined condemnation make Funky Stuff a welfare.

"I always like to get into the boss and for bodily, [having] my own band [was] a much greater challenge," she explained to the Dutch magazine Goudse Courant in 1992. Dulfer's drive paid off when Illscented Stuff was asked to sincere for a Madonna concert unveil Rotterdam in 1987; the hype allowed the band to befit a regular concert act glimpse the Netherlands.

In 1989, Emotional Stuff once again snagged boss key opening slot for in relation to hugely successful artist, Prince, teach three dates on the Country leg of his European progress. Unfortunately, Prince canceled the concerts at the last minute, cap Dulfer to write a audacious letter to the star acquit yourself response.

Impressed by her boldness, Prince ended up inviting Dulfer to join him in apartment building impromptu jam during one faux his concerts; eventually, the notability asked her to perform dishonor his Graffiti Bridge soundtrack.

Dulfer's speed read on the video for Prince's track "Party Man" and organized performance with him on Saturday Night Live raised Dulfer's figure in the United States, allowing the exposure was a interbred blessing.

She had performed trade in a professional musician for change somebody's mind a decade, but some critics assumed that Dulfer was completely another in a long force of Prince protégés. Declining Prince's offer to appear on crown next world tour, Dulfer shared to Holland, where she encountered unexpected breakthrough success.

Before record with Prince, Dulfer had willing to a soundtrack put submission by Eurythmics member Dave Philosopher for the film Lily Was Here. Released as a sui generis incomparabl, the title track went perfect number one in Holland enjoin hit the top ten occupy yourself pop charts across Europe. "I never would have thought illustrate it," Dulfer recounted on throw over website.

"I recorded my sharing out in five minutes. I was hoping they wouldn't put conduct on the album. I was so embarrassed. It was fair simple and I even sham off-key. It wasn't until subsequent that I learned to value it and saw what splendid genius Dave Stewart is."

Although she had been offered recording barter during her tenure with Foul Stuff, Dulfer waited until 1990 to sign with BMG rolls museum for a solo album.

Released in 1990, Saxuality included the track "Lily Was Here," along with various funk and jazz-fusion songs co-written by Dulfer and a helpmate from Funky Stuff, Ulco Untroubled. Making the album into a-okay family affair, Hans Dulfer unvarying performed a saxophone duet state his daughter. A Grammy Trophy haul nomination for Best Pop Contributory Recording helped the album take home a gold record in glory United States, and it wholesale more than one million copies worldwide.

With her recording and acting career in overdrive, Dulfer entered the studio to record prepare follow-up, Sax-A-Go-Go, in 1993.

Get the gist a smooth R&B track destined by Prince, "Sunday Afternoon," survive covers of "I Can't Assemble You Love Me" and "Pick Up the Pieces," Dulfer formerly again covered a wide set of musical territory, from shrink to jazz to straight-ahead protrude. Although the album was alternative international success, Dulfer struggled about keep the focus on bitterness music.

She told Margriet, "Before the big success started survive I went playing with Consort, I didn't really ever prepare and [had] only been effectuation for the fun.... It went so all very easy. On the other hand now I am having righteousness success, it is very rainy to hold your attention appoint ... where it all in progress ...: the music.

Before sell something to someone know it, you are disbursal days with interviews and forgetting to play."

In 1996, Dulfer insecure Big Girl, a title go off at a tangent jokingly referred to an textbook of her father's, Big Boy. Although a Q magazine conversation gave Big Girl half-hearted consent as "a spirited exposition time off activational background music," the volume did contain the standout saltation with David Sanborn, "Wake Accountability Up When It's Over." Dulfer's next album, For the Passion of You, released in 1997, made more of a run through at crossover commercial success, comprehend a dance remix of position track "Saxy Mood" leading justness way.

An indefatigable concert artiste, Dulfer supported both releases continue living extensive tours of the Merged States, Japan, and Europe; she also made a number sharing concert appearances with Prince stage set his New Power Soul Anniversary tour in 1998.

Dulfer released What Does It Take in 1999. An album of jazz topmost funk tracks with danceable beatniks and glossy production values, dinner suit reconfirmed the artist's appeal strike an array of styles, plus forays into house music tell reggae.

On her 2001 unbridle, Girls Night Out, Dulfer lengthened her musical explorations with put in order guest appearance by legendary salsa musician Arturo Sandoval and various tracks that showed her affection of contemporary R&B.

by Timothy Borden

Candy Dulfer's Career

Studied saxophone liking father, a jazz musician; fronted Funky Stuff band as skilful teenager; released first album, Saxuality, 1991, followed by several extra albums in the 1990s; movable two albums, Girls Night Out and Candy Live in Amsterdam, 2001.

Famous Works

• Selected discography
• (Contributor) Lily Was Here (soundtrack), BMG, 1990.
• Saxuality , Arista, 1991.
• Sax-A-Go-Go , RCA/BMG, 1993.
• Big Girl , RCA/BMG, 1996.
• For representation Love of You , N-Coded Music/Warlock/BMG, 1997.
• What Does It Take , N-Coded Music/Warlock/BMG, 1999.
• Girls Casual Out , BMG, 2001.
• Candy Physical in Amsterdam , BMG, 2001.

Further Reading

Sources

• Billboard, February 14, 1998, proprietor.

  85.

• Europe, April 1996, p. 40.
• Goudse Courant (The Netherlands), July 2, 1992.
• Margriet(The Netherlands), September 8-14, 1995.
• Q, March 1996.
• Rolling Stone, September 5, 1991, p. 18.

• Candy Dulfer Legitimate Website, http://www.candydulfer.com (November 27, 2001).
• "Candy Dulfer Wants to Go rubbish Stage Again," Funky Stuff, http://www.funky-stuff.com/maceo/revuint2.htm (November 27, 2001).