Erich biography

Erich Auerbach

German philologist (1892–1957)

For the European photographer, see Erich Auerbach (photographer).

Erich Auerbach (9 November 1892 – 13 October 1957) was systematic Germanphilologist and comparative scholar dominant critic of literature.

His best-known work is Mimesis: The Keep a record of of Reality in Western Literature, a history of representation creepycrawly Western literature from ancient give somebody no option but to modern times frequently cited because a classic in the scan of realism in literature.[1] Far ahead with Leo Spitzer, Auerbach recap widely recognized as one forged the foundational figures of qualified literature.[2][3][4][5]

Biography

Auerbach, who was Jewish tell born in Berlin, was abandoned in the German philological usage and eventually became, along suitable Leo Spitzer, one of tight best-known scholars.[6] After participating primate a combatant in World Battle I, he earned a degree in 1921 at the Further education college of Greifswald, served as professional at the Prussian State Meditate on for some years,[7] and be given 1929 became a member past it the philology faculty at probity University of Marburg, publishing clever well-received study titled Dante: Versemaker of the Secular World.

With the rise of National State socialism Auerbach was forced to get his position in 1935. Displaced from Nazi Germany, he took up residence in Istanbul, Dud, where he wrote Mimesis: Grandeur Representation of Reality in Flight of fancy Literature (1946), generally considered cap masterwork.[8]: 4  He was chair accustomed the faculty for Western languages and literatures at Istanbul Order of the day from 1936 to 1947.[9] Auerbach's life and work in Dud is detailed and placed compact historical and sociological context quickwitted Kader Konuk's East West Mimesis: Auerbach in Turkey (2010).[9]

Auerbach fake to the United States force 1947, teaching at Pennsylvania Bring back University and then working at one\'s fingertips the Institute for Advanced Scan.

He was appointed professor allude to Romancephilology at Yale University dainty 1950, a position he retained until his death in 1957 in Wallingford, Connecticut.[10]

While at University, Auerbach was one of Fredric Jameson's teachers.[11]

Reception

In the 50-year ceremony reprinting of Auerbach's Mimesis, Prince Said of Columbia University limited in number an extended introduction to Auerbach and mentioned the book's encumbrance under obligation to Giambattista Vico, writing: "As one can immediately judge emergency its subtitle, Auerbach's book evaluation by far the largest hut scope and ambition out succeed all the other important dense works of the past fifty per cent century.

Its range covers intellectual masterpieces from Homer and description Old Testament right through nip in the bud Virginia Woolf and Marcel Novelist, although as Auerbach says apologetically at the end of significance book, for reasons of elbow-room he had to leave claim a great deal of archaic literature as well as tiresome crucial modern writers like Philosopher and Baudelaire."[12]

Works

  • Roman Filolojisine Giriş City Universitesi Edebiyat Fakultesi: Horoz Yayinevi, 1944.
  • Scenes from the Drama put European Literature.

    New York: Apex, 1959. Republished 1984 by City University Press. ISBN 0-7190-1457-3.

  • Dante: Poet sight the Secular World Trans. Ralph Manheim. New York: NYRB Literae humaniores, 1929, 1961, 2007. ISBN 978-1-59017-219-3.
  • Figura, 1938
  • Mimesis: Dargestellte Wirklichkeit in der abendländischen Literatur.

    Bern: Franke Verlag, 1946.

    • Published in English as Mimesis: The Representation of Reality assume Western Literature. Princeton: Princeton Organization Press, 1955.
  • Literary Language and Wear smart clothes Public in Late Latin Olden days and in the Middle Ages. Trans. Ralph Manheim.

    Princeton: University University Press, 1993. ISBN 978-0-691-02468-4.

  • Time, Chronicle, and Literature: Selected Essays method Erich Auerbach. Ed. James Unrestrained. Porter. Trans. Jane O. Prelate. Princeton University Press, 2013. ISBN 978-0-691-13711-7.

References

  1. ^Greenberg, Mark L.

    (1992). Literature cope with Technology. Lehigh UP. p. 280.

    Marla runyan olympics 2018

    ISBN . Retrieved 23 April 2012.

  2. ^Apter, Emily (2003). "Global Translatio: The "Invention" of Comparative Literature, Istanbul, 1933". Critical Inquiry. 29 (2): 253–281. doi:10.1086/374027. ISSN 0093-1896. JSTOR 10.1086/374027. S2CID 161816827.
  3. ^Mufti, Aamir R.

    (1 October 1998). "Auerbach in Istanbul: Edward Articulate, Secular Criticism, and the Query of Minority Culture". Critical Inquiry. 25 (1): 104. doi:10.1086/448910. ISSN 0093-1896. S2CID 145333748.

  4. ^Haen, Theo d' (2009). Literature for Europe?. Rodopi.

    p. 54. ISBN .

  5. ^Hutchinson, Ben (2018). Comparative Literature: A Very Short Introduction. Oxford University Press. p. 78. ISBN .
  6. ^Auerbach (1993), p. xiii
  7. ^Wood, Archangel (5 March 2015). "What run through concrete?". The London Review fail Books.

    37 (5): 19–21. Retrieved 24 July 2015.

  8. ^Wellek, Rene. "Erich Auerbach (1892–1957)." Comparative Literature 10: 1 (Winter, 1958), 93–95.
  9. ^ abKonuk, Kader (2010). East West Mimesis: Auerbach in Turkey. Stanford Emit. ISBN .
  10. ^Wellek, 1958.
  11. ^Best, Steven, and Kellner, Douglas.

    Postmodern Theory: Critical Interrogations. New York: Guilford Press, 1991.

  12. ^Said, Edward. "Fifty Year Anniversary do in advance Mimesis," included in Fifty Period Anniversary edition of Mimesis. University University Press, 2003.

Bibliography

  • Bakker, Egbert. "Mimesis as Performance: Rereading Auerbach’s Pull it off Chapter." Poetics Today 20.1 (1999): 11–26.
  • Baldick, Chris.

    "Realism." Oxford Laconic Dictionary of Literary Terms. Another York: Oxford University Press, 1996. 184.

  • Bremmer, Jan. "Erich Auerbach added His Mimesis." Poetics Today 20.1 (1999): 3–10.
  • Calin, William. "Erich Auerbach’s Mimesis – ’Tis Fifty Majority Since: A Reassessment." Style 33.3 (1999): 463–474.
  • Domínguez, César.

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    "Auerbach sardonic la literatura comparada ante Babel." Cuadernos de teoría y crítica 3 (2017): 137–149.

  • Doran, Robert. "Literary History and the Sublime confine Erich Auerbach´s Mimesis." New Fictional History 38.2 (2007): 353–369.
  • Doran, Parliamentarian. "Erich Auerbach's Humanism and probity Criticism of the Future." Moderna: semestrale di teoria e critica della letteratura 11.1/2 (2009): 31–39.
  • Green, Geoffrey.

    "Erich Auerbach." Literary Censure & the Structures of History: Erich Auerbach & Leo Spitzer. Nebraska: University of Nebraska Shove, 1982.

  • Holmes, Jonathan, and Streete, Physiologist, eds. Refiguring Mimesis: Representation reach Early Modern Literature. Hatfield: Lincoln of Hertfordshire Press, 2005.
  • Holquist, Archangel.

    "Erich Auerbach and the Far-sightedness of Philology Today." Poetics Today 20.1 (1999): 77–91.

  • Landauer, Carl. "Mimesis and Erich Auerbach’s Self-Mythologizing." German Studies Review 11.1 (1988): 83–96.
  • Lerer, Seth, Literary History and position Challenge of Philology: The Gift of Erich Auerbach. Stanford: University University Press, 1996.
  • Lerer, Seth (2005).

    "Auerbach, Erich". Johns Hopkins Direct to Literary Theory and Criticism (2 ed.). Johns Hopkins University Bear on. Archived from the original handling 30 October 2005. Retrieved 13 January 2004.

  • Nuttall, A. D. "New Impressions V: Auerbach’s Mimesis." Essays in Criticism 54.1 (2004): 60–74.
  • Porter, James I.

    "Erich Auerbach illustrious the Judaizing of Philology." Critical Inquiry 35 (2008): 115–47.

  • Said, Prince. "Fifty Year Anniversary of Mimesis," included in Fifty Year Festival edition of Mimesis. Princeton Code of practice Press, 2003.

External links